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چرا سینماهای ایران فیلم‌های کلاسیکمان را اکران نمی‌کنند؟... دیشب داشتم دوباره «هامون» را می‌دیدم. فکر کردم با خودم ، حسرت دیدن چند تا فیلم روی پرده‌ی سینما به دلم خواهد ماند.
گناه من که سال ۶۸ فقط ۷ ساله‌م بوده، چیست آخر؟!

زندگي من مثل رمان هاي كلاسيك روسي است. شخصيت زياد دارد.

اين كه پيرانه سرم صحبت يوسف بنواخت
اجر صبري است كه در كلبه ي احزان كردم

من آيدا اقصائي هستم؛ متولد 10مرداد1361، يا به عبارتي 1 آگوست 1982.دانشجوي پزشكي ام. شايد فقط 75دقيقه زندگي چو رو تعقيب كردم، ولي تاثير زيادي روي من گذاشت...

When he shot his head, I just realized I've been crying...for him?
Now, I frankly say no!
I confess that was a great interpretation of that old story. The only way to overcome that Korean hero was his shortcoming, the arm that he lacked. So what could Cho do to save his position of being a hero? The answer is: hiding his Achill's heel! Cutting that damn arm!
What a romantic interpretation for his suicide!
If he had not suicided, if he had accepted the responsibility of his momentary fault, I could accept there was a manifesto underneath, but unfortunately…

Listen! Let's forget what I said! I wanna say it's not the question. What really matters is the influence of a piece of art on its audience, a rare occasion, at least for me in the field of theater (I mean today theater of Iran)…To be honest, I can hardly remember a performance at which I've not checked the time just a quarter after its start!
Now, let me appreciate Rahmanin's masterpiece and his group's brilliant performance.

Thank you sir for this sweat sense of being influenced!